O CINEMA À VOLTA DE CINCO ARTES, CINCO ARTES À VOLTA DO CINEMA
Teresa Garcia, Pierre-Marie Goulet, Ricardo Matos Cabo
LA CARROZZA D’ORO / THE GOLDEN COACH | Jean Renoir
França-Itália, 1952, cor, 100 minutos
LES MAÎTRES FOUS | Jean Rouch
França, 1954, cor, 28 minutos
ACTO DA PRIMAVERA | Manoel de Oliveira
Portugal, 1962, cor, 86 minutos
OS CANIBAIS | Manoel de Oliveira
Portugal, 1988, cor, 84 minutos
LA DIRECTION D’ACTEURS PAR JEAN RENOIR | Gisèle Braunberger
França, 1968, cor, 22 minutos
FRENCH CANCAN | Jean Renoir
França, 1955, cor, 92 minutos
OHAYO – Bom Dia | Yasujiro Ozu
Japão, 1959, cor, 94 minutos
FREAKS – A Parada dos Monstros | Tod Browning
E.U.A., 1933, P&B, 64 minutos
THE UNKNOWN – O Homem sem Braços | Tod Browning
E.U.A., 1927, P&B, 60 minutos
HENRI MATISSE | François Campaux
França, 1946, P&B, 26 minutos
UTAMARO O MEGURU GONIN NO ONNA | Kenji Mizoguchi
Japão, 1946, P&B, 92 minutos
SCÉNARIO DU FILM PASSION | Jean-Luc Godard
França / Suiça, 1982, cor, 54 minutos
PASSION | Jean-Luc Godard
França, 1982, cor, 87 minutos
O NOSSO CASO
Série de seis videogramas resultantes duma investigação sobre a cinematografia portuguesa do último quartel do século XX.
MARGINÁLIA
As margens do RIO DO OURO: uma reflexão sobre o trabalho de Paulo Rocha.
NOTES ON THE CIRCUS | Jonas Mekas
E.U.A., 1966, cor, 12 minutos
PARADE | Jacques Tati
Suécia-França, 1974, cor, 84 minutos
HE WHO GETS SLAPPED | Victor Sjöström
E.U.A., 1924, P&B, 80 minutos
HUBERT ROBERT, A FORTUNATE LIFE | Aleksandr Sokurov
Rússia, 1996, cor, 26 minutos
PAINTERS PAINTING | Emile de António
E.U.A., 1972, cor, 116 minutos
LOUIS LUMIÈRE | Eric Rohmer
França, 1966, P&B, 66 minutos
JLG/JLG – AUTOPORTRAIT DE DÉCEMBRE | Jean-Luc Godard
França, 1994, cor, 54 minutos
OÙ GÎT VOTRE SOURIRE ENFOUI? | Pedro Costa
França-Portugal, 2001, cor, 104 minutos
SICILIA! | Jean-Marie Straub e Danièle Huillet
França-Itália, 1999, P&B, 64 minutos
L’AUTOMNE | Marcel Hanoun
França, 1971, P&B e cor, 70 minutos
WE CAN’T GO HOME AGAIN | Nicholas Ray
E.U.A., 1971-1980, cor, 93 minutos
THE CONNECTION | Shirley Clarke
E.U.A., 1961, P&B, 98 minutos
JAIME | António Reis
Portugal, 1974, cor, 34 minutos
MA FEMME CHAMADA BICHO | José Álvaro Morais
Portugal, 1976, cor, 80 minutos
DIEU SAIT QUOI | Jean-Daniel Pollet
França, 1993, cor, 88 minutos, baseado na obra de Francis Ponge
CONVERSA ACABADA | João Botelho
Portugal, 1980, cor, 104 minutos
BORIETS I KLOOUN – O Lutador e o Palhaço | Boris Barnet
URSS, 1957, cor, 100 minutos
THE BAND WAGON – A roda da fortuna | Vicente Minnelli
E.U.A., 1953, cor, 112 minutos
LA CARROZZA D’ORO / THE GOLDEN COACH | Jean Renoir
France-Italy, 1952, color, 100 minutes
LES MAÎTRES FOUS | Jean Rouch
France, 1954, color, 28 minutes
ACTO DA PRIMAVERA | Manoel de Oliveira
Portugal, 1962, color, 86 minutes
OS CANIBAIS | Manoel de Oliveira
Portugal, 1988, color, 84 minutes
LA DIRECTION D’ACTEURS PAR JEAN RENOIR | Gisèle Braunberger
France, 1968, color, 22 minutes
FRENCH CANCAN | Jean Renoir
France, 1955, color, 92 minutes
OHAYO | Yasujiro Ozu
Japan, 1959, color, 94 minues
FREAKS | Tod Browning
E.U.A., 1933, B&W, 64 minutes
THE UNKNOWN | Tod Browning
E.U.A., 1927, B&W, 60 minutes
HENRI MATISSE | François Campaux
France, 1946, 26 minutes
UTAMARO O MEGURU GONIN NO ONNA | Kenji Mizoguchi
Japan, 1946, B&W, 92 minutes
SCÉNARIO DU FILM PASSION | Jean-Luc Godard
France-Switzerland, 1982, color, 54 minutes
PASSION | Jean-Luc Godard
France, 1982, color, 87 minutes
O NOSSO CASO
Series of six videograms resulting from a research on the Portuguese film industry in the last quarter of the twentieth century.
MARGINÁLIA
The banks of the RIVER OF GOLD: A reflection on the work of Paulo Rocha.
NOTES ON THE CIRCUS | Jonas Mekas
E.U.A., 1966, color, 12 minutes
PARADE | Jacques Tati
Sweden-France, 1974, color, 84 minutes
HE WHO GETS SLAPPED | Victor Sjöström
E.U.A., 1924, B&W, 80 minutes
HUBERT ROBERT, A FORTUNATE LIFE | Aleksandr Sokurov
Russia, 1996, color, 26 minutes
PAINTERS PAINTING | Emile de António
E.U.A., 1972, color, 116 minutes
LOUIS LUMIÈRE | Eric Rohmer
France, 1966, B&W, 66 minutes
JLG/JLG – AUTOPORTRAIT DE DÉCEMBRE | Jean-Luc Godard
France, 1994, color, 54 minutes
OÙ GÎT VOTRE SOURIRE ENFOUI? | Pedro Costa
France-Portugal, 2001, color, 104 minutes
SICILIA! | Jean-Marie Straub e Danièle Huillet
France-Italy, 1999, B&W, 64 minutes
L’AUTOMNE | Marcel Hanoun
France, 1971, B&W and color, 70 minutes
WE CAN’T GO HOME AGAIN | Nicholas Ray
E.U.A., 1971-1980, color, 93 minutes
THE CONNECTION | Shirley Clarke
E.U.A., 1961, B&W, 98 minutes
JAIME | António Reis
Portugal, 1974, color, 34 minutes
MA FEMME CHAMADA BICHO | José Álvaro Morais
Portugal, 1976, color, 80 minutes
DIEU SAIT QUOI | Jean-Daniel Pollet
France, 1993, color, 88 minutes
CONVERSA ACABADA | João Botelho
Portugal, 1980, color, 104 minutes
BORIETS I KLOOUN | Boris Barnet
USSR, 1957, color, 100 minutes
THE BAND WAGON | Vicente Minnelli
E.U.A., 1953, color, 112 minutes
