ENGLISH

O CINEMA À VOLTA DE CINCO ARTES, CINCO ARTES À VOLTA DO CINEMA

Teresa Garcia, Pierre-Marie Goulet, Ricardo Matos Cabo

 

LA CARROZZA D’ORO / THE GOLDEN COACH | Jean Renoir
França-Itália, 1952, cor, 100 minutos


LES MAÎTRES FOUS
| Jean Rouch
França, 1954, cor, 28 minutos


ACTO DA PRIMAVERA
| Manoel de Oliveira
Portugal, 1962, cor, 86 minutos


OS CANIBAIS
| Manoel de Oliveira
Portugal, 1988, cor, 84 minutos


LA DIRECTION D’ACTEURS PAR JEAN RENOIR
| Gisèle Braunberger
França, 1968, cor, 22 minutos


FRENCH CANCAN |
Jean Renoir
França, 1955, cor, 92 minutos


OHAYO – Bom Dia
| Yasujiro Ozu
Japão, 1959, cor, 94 minutos


FREAKS – A Parada dos Monstros
| Tod Browning
E.U.A., 1933, P&B, 64 minutos


THE UNKNOWN – O Homem sem Braços
| Tod Browning
E.U.A., 1927, P&B, 60 minutos


HENRI MATISSE
| François Campaux
França, 1946, P&B, 26 minutos


UTAMARO O MEGURU GONIN NO ONNA
| Kenji Mizoguchi
Japão, 1946, P&B, 92 minutos

 

SCÉNARIO DU FILM PASSION | Jean-Luc Godard
França / Suiça, 1982, cor, 54 minutos

 

PASSION | Jean-Luc Godard
França, 1982, cor, 87 minutos

 

O NOSSO CASO
Série de seis videogramas resultantes duma investigação sobre a cinematografia portuguesa do último quartel do século XX.

 

MARGINÁLIA
As margens do RIO DO OURO: uma reflexão sobre o trabalho de Paulo Rocha.

 

NOTES ON THE CIRCUS | Jonas Mekas
E.U.A., 1966, cor, 12 minutos

 

PARADE | Jacques Tati
Suécia-França, 1974, cor, 84 minutos

 

HE WHO GETS SLAPPED | Victor Sjöström
E.U.A., 1924, P&B, 80 minutos

 

HUBERT ROBERT, A FORTUNATE LIFE | Aleksandr Sokurov
Rússia, 1996, cor, 26 minutos

 

PAINTERS PAINTING | Emile de António
E.U.A., 1972, cor, 116 minutos

 

LOUIS LUMIÈRE | Eric Rohmer
França, 1966, P&B, 66 minutos

 

JLG/JLG – AUTOPORTRAIT DE DÉCEMBRE | Jean-Luc Godard
França, 1994, cor, 54 minutos

 

OÙ GÎT VOTRE SOURIRE ENFOUI? | Pedro Costa
França-Portugal, 2001, cor, 104 minutos

 

SICILIA! | Jean-Marie Straub e Danièle Huillet
França-Itália, 1999, P&B, 64 minutos

 

L’AUTOMNE | Marcel Hanoun
França, 1971, P&B e cor, 70 minutos

 

WE CAN’T GO HOME AGAIN | Nicholas Ray
E.U.A., 1971-1980, cor, 93 minutos

 

THE CONNECTION | Shirley Clarke
E.U.A., 1961, P&B, 98 minutos

 

JAIME | António Reis
Portugal, 1974, cor, 34 minutos

 

MA FEMME CHAMADA BICHO | José Álvaro Morais
Portugal, 1976, cor, 80 minutos

 

DIEU SAIT QUOI | Jean-Daniel Pollet
França, 1993, cor, 88 minutos, baseado na obra de Francis Ponge

 

CONVERSA ACABADA | João Botelho
Portugal, 1980, cor, 104 minutos

 

BORIETS I KLOOUN – O Lutador e o Palhaço | Boris Barnet
URSS, 1957, cor, 100 minutos

 

THE BAND WAGON – A roda da fortuna | Vicente Minnelli
E.U.A., 1953, cor, 112 minutos

LA CARROZZA D’ORO / THE GOLDEN COACH | Jean Renoir
France-Italy, 1952, color, 100 minutes

 

LES MAÎTRES FOUS | Jean Rouch
France, 1954, color, 28 minutes

 

ACTO DA PRIMAVERA | Manoel de Oliveira
Portugal, 1962, color, 86 minutes

 

OS CANIBAIS | Manoel de Oliveira
Portugal, 1988, color, 84 minutes

 

LA DIRECTION D’ACTEURS PAR JEAN RENOIR | Gisèle Braunberger
France, 1968, color, 22 minutes

 

FRENCH CANCAN | Jean Renoir
France, 1955, color, 92 minutes

 

OHAYO | Yasujiro Ozu
Japan, 1959, color, 94 minues

 

FREAKS | Tod Browning 

E.U.A., 1933, B&W, 64 minutes


THE UNKNOWN
| Tod Browning
E.U.A., 1927, B&W, 60 minutes

 

HENRI MATISSE | François Campaux
France, 1946, 26 minutes

 

UTAMARO O MEGURU GONIN NO ONNA | Kenji Mizoguchi

Japan, 1946, B&W, 92 minutes

 

SCÉNARIO DU FILM PASSION | Jean-Luc Godard
France-Switzerland, 1982, color, 54 minutes

 

PASSION | Jean-Luc Godard
France, 1982, color, 87 minutes

 

O NOSSO CASO
Series of six videograms resulting from a research on the Portuguese film industry in the last quarter of the twentieth century.

 

MARGINÁLIA
The banks of the RIVER OF GOLD: A reflection on the work of Paulo Rocha.

 

NOTES ON THE CIRCUS | Jonas Mekas
E.U.A., 1966, color, 12 minutes

 

PARADE | Jacques Tati
Sweden-France, 1974, color, 84 minutes

 

HE WHO GETS SLAPPED | Victor Sjöström
E.U.A., 1924, B&W, 80 minutes

 

HUBERT ROBERT, A FORTUNATE LIFE | Aleksandr Sokurov
Russia, 1996, color, 26 minutes

 

PAINTERS PAINTING | Emile de António
E.U.A., 1972, color, 116 minutes

 

LOUIS LUMIÈRE | Eric Rohmer
France, 1966, B&W, 66 minutes

 

JLG/JLG – AUTOPORTRAIT DE DÉCEMBRE | Jean-Luc Godard
France, 1994, color, 54 minutes

 

OÙ GÎT VOTRE SOURIRE ENFOUI? | Pedro Costa
France-Portugal, 2001, color, 104 minutes

 

SICILIA! | Jean-Marie Straub e Danièle Huillet
France-Italy, 1999, B&W, 64 minutes

 

L’AUTOMNE | Marcel Hanoun
France, 1971, B&W and color, 70 minutes

 

WE CAN’T GO HOME AGAIN | Nicholas Ray
E.U.A., 1971-1980, color, 93 minutes

 

THE CONNECTION | Shirley Clarke
E.U.A., 1961, B&W, 98 minutes

 

JAIME | António Reis 

Portugal, 1974, color, 34 minutes

 

MA FEMME CHAMADA BICHO | José Álvaro Morais
Portugal, 1976, color, 80 minutes

 

DIEU SAIT QUOI | Jean-Daniel Pollet
France, 1993, color, 88 minutes

 

CONVERSA ACABADA | João Botelho
Portugal, 1980, color, 104 minutes

 

BORIETS I KLOOUN | Boris Barnet
USSR, 1957, color, 100 minutes

 

THE BAND WAGON | Vicente Minnelli
E.U.A., 1953, color, 112 minutes