“GEMINIS”
António Torres, Sérgio Matias
And what is the practice that needs to be practiced in order to ensure that the political does not vanish from the world? Precisely that thing called freedom. The vanishing of the political thing from the world is the vanishing of the experience and practice of movement as freedom.
André Lepecki
Nesta peça procuramos, através da ideia de paralelo e da construção de várias simetrias e sincronias, encontrar um corpo consequente, uma coreografia do possível a partir do encontro de dois corpos com frequências energéticas amplas comuns.
Geminis é uma coreografia interseccional onde, a partir das multiplicidades transversais individuais e biográficas de dois corpos, se procuram unicidades, analogias para a construção de um novo corpo. Desenvolvem-se paradigmas de um corpo de hoje, um corpo referencial, imagético, enérgico, que engole o ar na construção de si, através do encontro e da possibilidade de infiltração no/do outro. Não enquanto projeção, antes enquanto contaminação de lugares comuns.
Ficha técnica
Criação, Interpretação e Figurinos António Torres, Sérgio Diogo Matias
Desenho de luz e operação Sara Garrinhas
Música Mestre André
Textos e Documentação Telma João Santos
Fotografia e Vídeo Miguel Bartolomeu
Residências 23 Milhas, Companhia Olga Roriz, Estúdios Victor Córdon, EIRA
Apoios Fundação GDA, Temps d’Images
“GEMINIS”
António Torres, Sérgio Matias
And what is the practice that needs to be practiced in order to ensure that the political does not vanish from the world? Precisely that thing called freedom. The vanishing of the political thing from the world is the vanishing of the experience and practice of movement as freedom.
André Lepecki
With this piece, we are attempting, through the idea of the parallel and the construction of various symmetries and synchronicities, to find a meaningful body, a choreography of the possible, stemming from the meeting of two bodies with ample common energetic frequencies.
Geminis is an intersectional choreography in which, using as a point of departure the individual and biographical transversal multiplicities of two bodies, we seek oneness, analogies for a construction of a new body. Paradigms are developed for a body of today, a referential, imagetic, energetic body, which breathes in while building itself, through the meeting and possibility of infiltration in/of the other. Not as a projection, but as a contamination of common spaces.
Credits
Creation, Interpretation and Costumes António Torres, Sérgio Diogo Matias
Lighting design and operation Sara Garrinhas
Music Mestre André
Text and Documentation Telma João Santos
Photography and Video Miguel Bartolomeu
Residencies 23 Milhas, Companhia Olga Roriz, Estúdios Victor Córdon, EIRA
Support GDA Foundation, Temps d’Images
